Twenty-five years ago, Demi Moore huddled in an empty room with billowing curtains for Joel Schumacher's “St. Elmo's Fire” and an iconic if cheeseball visual cue for spoiled-youth loneliness was born.
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Conveniently timed to sprinkle gasoline on the fires of the immigration debate, Robert Rodriguez's splatter comedy “Machete” has already riled up hardliners in advance of its release. Although laughter is the appropriate response to this pulpy, lighthearted gorefest, its pro-Mexican, anti-American stance is so gleefully inflammatory that some incensed nativists may refuse to get the joke.
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Even so, the movie is not a documentary. It is a high-camp, blood-splattered send-up of a Mexican exploitation film, which is fairly interesting since Mexican exploitation films were never a thriving genre.
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There are several things in this world that indicate that fall is on its way and the cold of winter is just around the corner. There's a chill in the evening air. The nights start getting longer. And George Clooney comes out with a movie in the hopes of getting another Oscar. A Clint Eastwood drama can't be far around the corner.
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Machete (Danny Trejo), a former Mexican federal agent, now works as a day laborer in Texas. Booth (Jeff Fahey), a shady man, offers him $150,000 to assassinate Senator McLaughlin (Robert De Niro) on the pretense that McLaughlin plans to send thousands of illegal Mexican immigrants back to Mexico.
Original post by Arts-and-Entertainment:Movies-TV Articles from EzineArticles.com
Twenty-five years ago, Demi Moore huddled in an empty room with billowing curtains for Joel Schumacher's “St. Elmo's Fire” and an iconic if cheeseball visual cue for spoiled-youth loneliness was born.
Original post by Arts-and-Entertainment:Movies-TV Articles from EzineArticles.com
Twelve, a fevered teen drama about privileged kids from Manhattan's Upper East Side who have everything and still want more, is based on a 2002 novel written by Nick McDonell when the Manhattan-bred author was just 17. An observer at close range of the specimens he wrote about, McDonell powered his headline-grabbing book with on-the-ground authority, amping up the action with precocious bravado and pushing the mesmerizing, wreck-of-the-rich melodrama to a violent climax.
Original post by Arts-and-Entertainment:Movies-TV Articles from EzineArticles.com
Twenty-five years ago, Demi Moore huddled in an empty room with billowing curtains for Joel Schumacher's “St. Elmo's Fire” and an iconic if cheeseball visual cue for spoiled-youth loneliness was born. In “Twelve,” the director's latest dive into the indiscretions of adolescent brats,
Original post by Arts-and-Entertainment:Movies-TV Articles from EzineArticles.com